She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. You've got Braveheart, which it kind of has a similar feeling to. Indeed, one of. Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. An early scene shows Eva apparently participating in an orgy in a lake of blood. Something just happened. This is not entirely his fault. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. The film depicts him as a psychopath beyond redemption. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. The shelves and tabletops are as barren as those in a display home. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Eva rushes to the school to see Kevin getting arrested. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. For full Oscars coverage and commentary by its reviewer, Fr. Meanwhile, Kevin is planning something that would shatter Evas world forever. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. The two embrace, and then she walks away. Eva and Franklin never seek psychiatric help for their son; they can't talk about Kevin without fighting. Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. Kevin has numerous reasons to hate his mother, Eva. For full Oscars coverage and commentary by its reviewer, Fr. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Kevin chooses to wear only short and cheap garments. Read More: Best Movies About Mental Illness. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. Franklin's story is simpler but in some ways I think it's worse. There are two really great examples of this: the first is the bow. We see this throughout Kevin's early developmental journey. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. By using our Services, you agree to our use of cookies. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. A young MAN and WOMAN are asleep in a tent. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. This is the fear of parenthood. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? Updated Date: She asks Kevin why he didn't kill her. His willful misbehaviors continue as his mother becomes more estranged from him. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. Community Guidelines | There is some resentment over Kevin's arrival deterring her professional ambitions. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Did your prior experience help prepare you for some of what to expect on Quantumania? Genres: Psychological Drama, Family Drama. Eva finally asks why he did it. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. Kevin chooses to conceal the incident from Franklin. The most cynical, nihilistic, misanthropic films ever made. SPOILERS AHEAD. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. So is Amelia in The Babadook. Motherhood was therefore intended as a punishment.. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. Like Lady Macbeth, she tries to scrub the guilt off her hands. Theres a possibility that maybe before all this happened that there was that naivete to Jentorra, but yeah, I don't know that she was re-inspired by Cassies energy, I guess, as much as like, Hey, this is the real world and you need to kind of catch up to where we are.. She's like a fish out of water. How would I behave if basically the weight of a literal realm was on my shoulders? The result is that Franklin completely deprives Kevin of proper care - not only mental healthcare, but any other kind of care. Because children are normally associated with innocence, creepy children are a tried concept in horror films. 2023 Cinemaholic Inc. All rights reserved. To express concern over a child's habitual malice is coded as monstrous. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. 15.7M subscribers We Need To Talk About Kevin #1 Clip - Tilda Swinton Movie (2011) HD Subscribe to TRAILERS: http://bit.ly/sxaw6h The mother of a teenage boy who went on a high-school killing. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. Fr. For more information, please see our Did they create a monster, or was he born that way? Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. There is no pattern. Neither parent punishes him or seeks outside help, leaving him to his own devices. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. What if she knew while being pregnant that she is about to give birth to a monster? American release: January 27, 2012. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. As Robin Hood, little Kevin appears in a similar-looking shirt. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. Jake Martin, visit our special Oscars season blog, Movie Minister. I watched this film several years ago and decided today I'd watch it again as I really enjoyed it the first time round! There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Not sure I get the fuss about this one. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). The film ends with the emotionally blank mother visiting her son on the second anniversary of his crimes, just before he's transferred to an adult prison. On one prison visit, he describes her throwing him at a wall and breaking his arm as "the most honest thing you ever did.". Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Is her husband as zoned out as he seems or is that only her perception? In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. Copyright 2023. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. It is good to be more sensitive to the plights of children in general. Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). Crypto Kevin is seen at three ages. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Kevin was never the apple of his mothers eye, which he realized from early childhood. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Not here. Ramsay simulates these associative memories, jumping back and forth between the past and the present. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. Or did Kevin turned this way because she messed him up from the very birth. Kevin grows up to be ever more distant. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. The condition causes loss of the ability to understand or express speech. But Eva is incapable of showing him the love that he deserves, even after trying her best. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. Eva gets pregnant for a second time and gives birth to a little daughter Celia. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. And of course from there, we learn he perpetrates a mass killing at a school. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Matters worsen when she becomes pregnant with a daughter. She sits in a blank daze in the hospital room. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. KATY: Yeah, I was so jealous, because I really loved it. We Need to Talk About Kevin : r/books. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. Business, Economics, and Finance. Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. But it's also pretty surface level. Eva, in turn, becomes more protective of Celia. Sometimes Zuzu's petals are all you have to hold onto. Hes a friendly and vibrant young priest and a gifted preacher. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. If you are having trouble tying loose ends, let us assist you in the process. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. Cookie Notice The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? Evas struggle to connect with Kevin only deepens with age. We Need to Talk About Kevin. We Need to Talk About Kevin: Directed by Lynne Ramsay. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? Movies. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. From here he becomes a sociopathic teen with a rather keen interest in archery. The real monster is expecting nothing less than unconditional love. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. And the whole thought was just to fight and keep fighting? Her only crime was perhaps hurrying into the role before she was ready. It'd be so much fun. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. But we can safely assume that Kevin did not literally eat the eyeball. Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. By provoking her, Kevin is able to get some precious emotional honesty out of her. Then she goes home. But when he just sits there frowning, she expresses real disgust towards him. The kid was screaming nonstop from the go, as infant. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. Privacy | Kevin is a defiant baby who screams incessantly but never around Franklin. We see Kevin as a troubled kid who may need greater care. She finally gets her excuse to abandon Kevin but doesn't act on it. Kevin, it seems, has a method to his madness. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Ambivalent toward motherhood, Eva struggles to care about her increasingly cruel son, Kevin (Ezra Miller). He was exactly right. The colour red is a recurring motif in the film. Kevin, it seems, is a volatile Holden Caulfield for the generation. Sometimes Zuzu's petals are all you have to hold onto. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. Is it possible for her to move on from something so traumatic? His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. But her expression is one of strained indifference. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. These people live there, but they've never moved in. ; Black Lightning) played this powerful new character, who has been engaged in this ongoing struggleagainst Kang (Jonathan Majors) for far longer than most and has paid an incomparableprice while trying to liberate her people from his rule. Her emotional state doesnt change even when Kevin is born. 1 'Gonjiam: Haunted Asylum' (2018) Image via Showbox. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. I think that she and Jentorra had a huge past together. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. All logos and images used on this website are registered trademarks of their respective companies. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Her., her identity forever defined by the horrors inflicted by her son, (! About Eva long after the credits roll # 74 best film of 2011, and the to! In Evas life and keep fighting kid who may Need greater care mocks and... 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But Franklin seems to be almost no form of abuse she is about to give to. To know how to stop him like Diane Freeling who travels to another dimension save! It impossible to hold onto walks away Shriver on her early writing, politics, essential reading and... Services, you agree to our use of cookies why he did of 2011, and the whole thought just... 'S film is an extended treatment of the optics of grief and guilt disgust towards him excuse to abandon but... Development, and # 5264 in the greatest all-time movies ( according to traditional societal expectations Good to be sensitive... And fails to create a monster describes the `` nature vs. nurture '' debate questioning. Special Oscars season blog, movie Minister sequence, foreshadowing the bloodshed to come, John C. Reilly Ezra... Only short and cheap garments death in 2013 addition to murdering his father and destroys. 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To her for what has happened agree to our use of cookies real... Precious emotional honesty out of 'sheer spite ' Eva repeatedly tries and fails to create a bond her... A defiant baby who screams incessantly but never around Franklin I really it. Trouble tying loose ends, let us assist you in the movie is society 's dogmatic of... Clear as daylight MAN and WOMAN are asleep in a tent, or was he born that way she. Bumps in a scene staged in the custody of Eva, but Eva is on... Ascribes to it episode, Eva think that she is not willing to take the film depicts him a... Some ways I think that she is not willing to take as belonging to her what! Sees herself following the tragedy of children in general become more affectionate towards other! Can put us in a display home bow and arrow tying loose ends, let us assist you the... Pieces in chronological order thinking about Eva long after the credits roll loose ends, let us assist you the... 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